Sunday, March 1 The Magic Of Early Choral Music
Stile Antico Helen Ashby, soprano Kate Ashby, soprano Rebecca Hickey, soprano Emma Ashby, alto Eleanor Harries, alto Carris Jones, alto Julian Forbes , tenor Andrew Griffiths, tenor Benedict Hymas, tenor Thomas Faulkner, bass Will Dawes, bass Olly Hunt, bass Jacob Clemens non Papa (1510-1556) Giovanni Pierluigi da Palestrina (1525-1594) Francisco Guerrero (1528-1599) Plainchant Tomas Luis de Victoria (1548-1611) Rodrigo Ceballos (1525-1581) Plainchant Francisco Guerrero (1528-1599) Sebastian de Vivanco (1551-1622) Francisco Guerrero (1528-1599) Plainchant |
Stile Antico BIOGRAPHIES Stile Antico is an ensemble of young British singers, now established as one of the most original and exciting new voices in its field., Performances Recordings and awards Activities Helen Ashby sings with a variety of ensembles in the UK including Oxford Camerata, the Brabant Ensemble and Philharmonia Voices. She is a member of the choir of St Bartholomew the Great, London, and appears frequently on television and film sound tracks, including The Golden Compass and the recent Vicar of Dibley Christmas special. She studies with Sue Waters. Kate Ashby appears regularly with many professional groups, including the Brabant Ensemble, the Oxford Camerata and La Grande Chapelle, both in concert and on recordings. She is a member of the choir of All Saints, Margaret Street, London, and in addition to performing, maintains a busy schedule of singing teaching. Rebecca Hickey enjoys a versatile career as a soloist and with some of Britain’s leading ensembles such as The Sixteen, Tonus Peregrinus, Philharmonia Voices and Chapelle du Roi. She features as a soloist on the Naxos discs, Arvo Pärt Passio and Léonin, Pérotin: Sacred Music from Notre-Dame Cathedral. She recently recorded a disc of Shakespearean lute-songs for solo tenor and soprano for Naxos. Altos Emma Ashby sings regularly with various ensembles in the UK, including the Brabant ensemble and Oxford Camerata. She graduated from the University of Birmingham in 2007 since when she has been teaching singing and cello both privately and for the Oxfordshire County Music Service. She also teaches at Cothill House School. Eleanor Harries is a former Choral Exhibitioner at Gonville and Caius College, Cambridge, where she studied mathematics. She has appeared with many ensembles, including Cambridge Medieval Music Group and Cambridge Taverner Choir. Solo performances include Second Witch Dido and Aeneas, Biber's Vespers and Brahms' Liebeslieder-Walzer. She has a particular interest in the vocal and instrumental music of the early Baroque. Eleanor studies with Carys Lane. Tenors Peter Asprey is musical Director of The Music Makers and the UBS Choral Society and joint Director of the Berkshire Youth Choir. He works as a Chorus Master, most recently with the London Symphony Chorus for Michael Tilson Thomas and with the Brighton Festival Chorus for Sir Andrew Davies. He is also a regular guest conductor for the Whitehall Choir. He teaches singing at Eton College. Andrew Griffiths works chiefly as a conductor and répétiteur. He spent two years as a Young Artist at the Royal Opera House, and has worked at Scottish Opera, Opera North, Opera Theatre Company, Early Opera Company, Batignano and Iford. He is also a former Principal Viola of the National Youth Orchestra, and has appeared as a tenor soloist with the Britten Sinfonia. Benedict Hymas is soon to graduate from King's College London where he combines his studies in music with professional consort and solo work. Recent engagements include the solo tenor role in Bach's Magnificat at the Cadogan Hall and concerts with Polyphony. He is also passionate about the piano and intends to devote more time to it after university as well as continuing to take on more vocal work Basses Will Dawes is a graduate of the Royal Academy of Music where he studied choral conducting and singing with Patrick Russill and David Lowe. He has conducted national premieres of works by Pärt, Penderecki, Rautavaara and Whitacre and has sung with groups ranging from the Dunedin Consort to the BBC Singers. He is now a Lay Clerk at Christ Church Cathedral, Oxford and studies with Giles Underwood. Matthew O'Donovan holds music degrees from Oxford University and Kings College London. He teaches Academic Music and is Director of Lower Chapel Music at Eton College. Aside from teaching and singing, he is in demand as a choir trainer, arranger and writer about music. He is a Christian, with a particular interest in the link between music and theology. |